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REVIEWS:
Maledictions
Slash/London 1999
NME
It
wears shades at noon. It doesn't care about you, baby - it just
curls its lip at your love and takes a drag of its life-giving
cigarette. It's got Johnny Thunders riffs for a heart, Suicide's
appetite for destruction for a soul, and its head is filled
with the fevered drone of the city that never comes down off
its speed jag. It's a clichéd beast, New York scuzz rock
- but one too attractive to care.
Grand
Mal are grown men who have spent the last decade ruining their
prospects in various dissolute rock outfits. Like a cargo cult
that time has passed by, they remain strung out on this superannuated
musical formula: witness 'Fun Fun Fun' (so Stooges it hurts)
and 'Superstars' (slick with brutalist glam). But elsewhere,
they've dosed the nervy '70s prototype with a massive injection
of grooviness. 'Stay In Bed''s slacker soul could almost be
Primal Scream, while Grasshopper from Mercury Rev tinkles keyboards
with warm flesh at every turn. In fact, the Rev's space-rock
bliss seems to have infected the Mal's none-more-black hearts,
making 'Picture You (As Always Falling)' into a love song of
sorts, and 'Sucker's Bet' a knowing quip at their gutter roots.
Grand
Mal, then. Sick and wrong, but at the same time, just right.
7/10